| Day 1: October 27, 2018 | ||||
| Time/Panel | Moderator | Presenter | Presenter | Discussant |
| 08:30-08:50 | Registration | |||
| 08:50-09:00 | Opening Speech
Hsieh Hsiao-Mei, Chair of Department of Drama and Theatre |
|||
| 09:00-11:00 Keynote Speech |
Hsieh Hsiao-Mei | The Broadway Musical as Global Theatre Professor David Savran, City University of New York |
Interpreter: Lin Yu-Shian |
|
| 11:00-11:30 | Coffee Break | |||
| 11:30-12:30
Panel 1 |
Liang Sun-Chieh | Aija Laura Zivitere | Must We Take an Artist Literally? Truth and Non-Truth in Ai Weiwei’s Human Flow | Wang Pao-Hsiang |
| Jiang Tsui-Fen |
Unsexed Woman and Order Disruption: Euripides’ Medea in Greek Mythology as an Example | Liang Sun-Chieh | ||
| 12:30-14:00 | Lunch Break | |||
| 14:00-15:00
Panel 2 |
Yung Sai-Shing
|
Hsu Ya-Hsiang |
The “Polish” and “Ambush” of Anti-Japanese Drama: A Study of New-China Troupe’s Professional Performance | Lo Shih-Lung |
| Lin Yu-Shian |
The Metaphors of Culture and The Reproduction of Myth: A Comparative Perspective on Divine Comedy and Along with the Gods Under the Postmodern Condition | Kuo Chiang-Sheng | ||
| 15:00-15:30 | Coffee Break | |||
| 15:30-17:00
Panel 3 |
Hu
John. Y. H. |
Sun Mei | The Boundary Crossing of a Theatrical Genre under Political Influences in China: the Impact of Spoken Drama on the Xiqu Reform in the 1950s | Hsu Ya-Hsiang |
| Yu Fu-Kai | The Construction of “New Play” in the Present-Day North: A Study on the Formation of “New Play Lab” in Tianjin | Shen Hui-Ju | ||
| Fu Yu-Hui | The Process of Modernization with Drastic Changes—— Exploring the Context and Discourse during the Modernization of Traditional Operas by applying the Theory of “Social Drama” | Lee Fu-Ping | ||
| End of Day 1 | ||||
| Day 2: October 28, 2018 | ||||
| Time/Panel | Moderator | Presenter | Presenter | Discussant |
| 08:30-09:00 | Registration | |||
| 09:00-10:30
Panel 4 |
Lin Wen-Ling | Ge Fei | On the Situational Logic of Drama Performance: Take Shanghai Left-wing Drama in the 1930s as the Object of Study |
Chung Joscha |
| Chen Jian-Cheng | Imagination, Reality, and Subjectivity in Edward Bond’s Later Dramatic Theory |
Hsu Walter
|
||
| Hsieh Hsiao-Mei | Mary Zimmerman’s Myth Narrative and Theatre Aesthetic: The Cases of Journey to the West and The White Snake | Lin Wen-Ling | ||
| 10:30-10:45 | Coffee Break | |||
| 10:45-12:15
Panel 5 |
Perng Ching-Hsi | Wang Yi-Mei |
Symbolic Metaphor and Interpretation of Costume Design in Sunlight after Snowfall | Wang Austin |
| Chao Hsueh-Chun | From Bodily Experience to Aesthetic Standard: “HuoQi” in Traditional Theater Performance | Lin Yung-Sheng | ||
| Chen Fang | Play-within-a-play: the Meta Construction in the Xiqu of Ming-Qing Era | Perng Ching-Hsi | ||
| 12:15-13:00 | Lunch Break | |||
| 13:00-14:00
Panel 6 |
Chen Ling-Ling | Gao Zi-Min | One month with No Cars: The Practice and Significance of an Immersively Environmental Theatre | Chen Ling-Ling |
| Ko Li-An | The Ruins of History, the History of Ruins: Historical Interpretation in Huang Ming-Chuan’s Flat Tyre | Wang Wei-Chi | ||
| 14:00-15:30
Panel 7 |
Wang An-Chi | Lin Ho-Yi | Patron Saints of Occupations as Local Tutelaries: An Analysis of “Group of Theatre Patron Saints” Seen in the Ritual Performances in Fujian | Wang Ai-Ling |
| Gu Shu-Guang | Deleting and Remodeling: A Study of the Version Review and Narrative Strategy of Mei Lanfang’s Forty Years of Stage Life | Lin Chih-Li | ||
| Yung Sai-Shing | Some Reflections about the history of Chinese opera of Hong Kong (1860-1911): Theater, Steamship, and Gramophone | Wang An-Chi | ||
| 15:30-16:00 | Coffee Break | |||
| 16:00-17:00
Panel 8 |
Chi Wei-Jan | Hu Ming-Hua | On the Historical Memory and Cultural Identity Construction in Lin Huaimin’s Dance Dramas | Chang Ivy I-Chu |
| Hosoi Naoko | The Modernization and Globalization in Entertainment Industry—Focusing on “TAISHU ENGEKI” | Chu Kun-Liang | ||
| 17:00-19:00 | Closing Banquet | |||
| End of Day 2 | ||||
